"Handel / Orch. Hale: キーboard Suite No. 4 in D Minor, HWV 437: III. Sarabande" by George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields was released on July 5, 2019. The duration of Handel / Orch. Hale: キーboard Suite No. 4 in D Minor, HWV 437: III. Sarabande is about 3 minutes long, at 3:27. Based on our data, "Handel / Orch. Hale: キーboard Suite No. 4 in D Minor, HWV 437: III. Sarabande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 32 out of 50 in Classical Chillout by Various Artists. Handel / Orch. Hale: キーboard Suite No. 4 in D Minor, HWV 437: III. Sarabande is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Handel / Orch. Hale: キーboard Suite No. 4 in D Minor, HWV 437: III. Sarabande by George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Rinaldo: Aria: Sorte amor vuol che quest’alma | George Frideric Handel, Giacomo Rossi, Aaron Hill, Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci | D♭ Major | 4 | 3B | 121 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
4 Impromptus, Op. 90, D.899: No. 4 in A Flat Major: Allegretto | Franz Schubert, Radu Lupu | A♭ Major | 0 | 4B | 125 BPM |