Evgeny Stetsyuk, M. Fradkin, Dmitri Hvorostovsky, Spiritual Revival Choir of Russia, Style of Five, Moscow Chamber Orchestra, Constantine Orbelian's 'Slutchaynyy Val's (Unexpected Waltz)' came out on January 1, 2003. The duration of Slutchaynyy Val's (Unexpected Waltz) is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Slutchaynyy Val's (Unexpected Waltz)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Evgeny Stetsyuk, Dmitri Hvorostovsky, Constantine Orbelian's "Hvorostovsky, D.: Songs - Tariverdiev M. / Bogoslovsky, N. / Fradkin, M. / Solov'Yov- Sedoy / V. / Basner, V. / Novikov, A." album is number 3 out of 17. In terms of popularity, Slutchaynyy Val's (Unexpected Waltz) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Slutchaynyy Val's (Unexpected Waltz) by Evgeny Stetsyuk, M. Fradkin, Dmitri Hvorostovsky, Spiritual Revival Choir of Russia, Style of Five, Moscow Chamber Orchestra, Constantine Orbelian to be Andante (at a walking pace) because the track has a tempo of 108 テンポ, a half-time of 54テンポ, and a double-time of 216 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prince Igor (Knyaz Igor): Act II: Ni sna, ni ordikha (There is neither sleep, nor rest) (Prince Igor) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | B♭ Minor | 3 | 3A | 89 BPM | ||
Petite messe solennelle: Gloria in excelsis Deo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Michael Spyres, Alexander Vinogradov, Delphine Galou | F Major | 1 | 7B | 106 BPM | ||
Как молоды мы были | Dmitri Hvorostovsky, Государственный академический камерный оркестр России, Константин Орбелян | F Minor | 1 | 4A | 83 BPM | ||
Vozvrashcheniye Maksima (The Return of Maxim), Op. 45: I. Waltz | Dmitri Shostakovich, Moscow Chamber Orchestra, Constantine Orbelian | C Major | 1 | 8B | 126 BPM | ||
Torna a Surriento | Ernesto de Curtis, José Carreras, English Chamber Orchestra, Edoardo Muller | E Major | 0 | 12B | 77 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Rigoletto, Act I: Prelude | Giuseppe Verdi, Kaunas City Symphony Orchestra, Constantine Orbelian | A♭ Major | 1 | 4B | 82 BPM | ||
Prince Igor (Knyaz Igor): I. Introduzione: Andantino | Alexander Borodin, Spiritual Revival Choir of Russia, Russian Philharmonia, Constantine Orbelian | B♭ Major | 5 | 6B | 82 BPM | ||
I puritani, Act I: O amato zio | Vincenzo Bellini, Sarah Coburn, Tadas Girininkas, Kaunas City Symphony Orchestra, Constantine Orbelian | D Major | 3 | 10B | 119 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM |