"String Quartet no.2 (1967-68): III. Come un meccanismo di precisione" by György Ligeti, LaSalle Quartet was released on January 1, 1988. The duration of String Quartet no.2 (1967-68): III. Come un meccanismo di precisione is about 3 minutes long, at 3:06. Based on our data, "String Quartet no.2 (1967-68): III. Come un meccanismo di precisione" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in György Ligeti, LaSalle Quartet, Ensemble Intercontemporain, Pierre Boulez's "Ligeti: Chamber Concerto; Ramifications; String Quartet No.2; Aventures" album is number 8 out of 12. On top of that, Germany appears to be the country where this track was created. In terms of popularity, String Quartet no.2 (1967-68): III. Come un meccanismo di precisione is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of String Quartet no.2 (1967-68): III. Come un meccanismo di precisione by György Ligeti, LaSalle Quartet to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 | Sofia Gubaidulina, Stamic Quartet | D Major | 0 | 10B | 77 BPM | ||
A Morning in the Woods | Leo Ornstein, Janice Weber | B♭ Minor | 0 | 3A | 63 BPM | ||
The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
Central Park In The Dark | Charles Ives, New York Philharmonic, Leonard Bernstein | D♭ Major | 3 | 3B | 95 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
Violin Concerto "To the Memory of an Angel": I. Andante – Allegretto | Alban Berg, Berliner Philharmoniker, Frank Peter Zimmermann, Kirill Petrenko | G Major | 1 | 9B | 70 BPM | ||
The Seasons: 9. Finale (Prelude I) | John Cage, Herbert Henck | E Minor | 0 | 9A | 0 BPM | ||
Les heures persanes, Op. 65: No. 1. Sieste, avant le depart: Lent | Charles Koechlin, Ralph van Raat | B Major | 0 | 1B | 66 BPM | ||
Soleils de septembre | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 0 | 10B | 71 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Adagio, mesto | György Ligeti, The Verona Quartet | G Major | 0 | 9B | 86 BPM |