"Debussy: Préludes / Book 1, L.117 - 亜麻色の髪の乙女" by Claude Debussy, ウィリアム・ジョーンズ, コンセル・ソンドール was released on August 19, 2015. The duration of Debussy: Préludes / Book 1, L.117 - 亜麻色の髪の乙女 is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Debussy: Préludes / Book 1, L.117 - 亜麻色の髪の乙女's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 人気クラシック名曲50選! モーツァルト、ベートーベン、バッハ等の有名曲を厳選!, so we believe that "Debussy: Préludes / Book 1, L.117 - 亜麻色の髪の乙女" is a single. The popularity of Debussy: Préludes / Book 1, L.117 - 亜麻色の髪の乙女 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: Préludes / Book 1, L.117 - 亜麻色の髪の乙女 by Claude Debussy, ウィリアム・ジョーンズ, コンセル・ソンドール is Vivace (lively and fast), since this song has a tempo of 167 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
こうもり〜序曲 | Johann Strauss II, Czech Philharmonic Chamber Orchestra, Václav Neumann | E Minor | 0 | 9A | 83 BPM | ||
乙女の祈り | Tekla Bądarzewska-Baranowska, リチャード・ディアリング | E♭ Major | 1 | 5B | 75 BPM | ||
仮面舞踏会: ワルツ | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 3 | 8A | 109 BPM | ||
Schumann: Kinderszenen, Op. 15 - トロイメライ | Robert Schumann, Kurt Rapp | F Major | 0 | 7B | 136 BPM | ||
Peer Gynt Suite No.1, Op.46: ペール・ギュントの朝 | Edvard Grieg, ウィリアム・ジョーンズ, コンセル・ソンドール | E Major | 1 | 12B | 182 BPM | ||
L'enfant prodigue: Gloire a toi Seigneur… (Lia, Azael, Simeon) | Claude Debussy, Guylaine Girard, Bernard Richter, Alain Buet, Brussels Philharmonic, Herve Niquet | B Major | 4 | 1B | 69 BPM | ||
Debussy / Arr. Smith & Denisov: Rodrigue et Chimène, CD 80, L. 72, Act 3: "Tu dis vrai!" (Rodrigue, Chimène) | Claude Debussy, Kent Nagano, Donna Brown, Laurence Dale, Orchestre de l'Opéra de Lyon | C Major | 2 | 8B | 101 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 9 in E Major, Op. 30, No. 3 | Felix Mendelssohn, Péter Nagy | E Major | 0 | 12B | 64 BPM | ||
家路 〜交響曲 第9番《新世界より》 〜第2楽章 | イルジー・ビエロフラーヴェク, Czech Philharmonic Chamber Orchestra | D♭ Major | 0 | 3B | 71 BPM | ||
エルガー:「エニグマ」変奏曲より 第9変奏「ニムロッド」 | Edward Elgar, のだめカンタービレ | E♭ Major | 1 | 5B | 84 BPM |