Giacomo Puccini, Antonio Pappano, Gregory Bonfatti, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia's 'Puccini: Madama Butterfly, Act 1: "E soffitto… e pareti" (Pinkerton, Goro)' came out on February 27, 2009. The duration of Puccini: Madama Butterfly, Act 1: "E soffitto… e pareti" (Pinkerton, Goro) is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Puccini: Madama Butterfly, Act 1: "E soffitto… e pareti" (Pinkerton, Goro)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #1. Based on our statistics, Puccini: Madama Butterfly, Act 1: "E soffitto… e pareti" (Pinkerton, Goro)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Puccini: Madama Butterfly, Act 1: "E soffitto… e pareti" (Pinkerton, Goro) by Giacomo Puccini, Antonio Pappano, Gregory Bonfatti, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia having a テンポ of 131 with a half-time of 66 テンポ and a double-time of 262 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nella fantasia (From "The Mission") | Jonas Kaufmann | B♭ Major | 3 | 6B | 90 BPM | ||
La Damnation de Faust, Part III, Scène 1: "Merci, doux crépuscule!" | Hector Berlioz, Jonas Kaufmann, Bertrand de Billy | F Major | 0 | 7B | 82 BPM | ||
Il barbiere di Siviglia / Act 1: Una voce poco fa | Gioachino Rossini, Kathleen Battle, Chamber Orchestra of Europe, Claudio Abbado | E Major | 0 | 12B | 113 BPM | ||
Puccini: Tosca, Act 1: "Ma con quei cani di volterriani" (Sagrestano, Cavaradossi) | Giacomo Puccini, Antonio Pappano, Enrico Fissore, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
Verdi: Otello: Atto Terzo: Dio! mi potevi scagliar tutti i mali | Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 79 BPM | ||
Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
Wesendonck Lieder: Träume | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | A♭ Major | 1 | 4B | 72 BPM | ||
Carmen, WD 31 / Act 2: "La fleur que tu m'avais jetée" | Jonas Kaufmann, Georges Bizet, Prague Philharmonic Orchestra, Marco Armiliato | D♭ Major | 2 | 3B | 91 BPM | ||
Mefistofele / Act 1: "Dai campi, dai prati" | Arrigo Boito, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F Major | 2 | 7B | 91 BPM |