Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra's 'Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro' came out on 1981. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Joseph Haydn, Yo-Yo Ma's "Haydn: Cello Concertos (Remastered)" album is number 6 out of 6. In terms of popularity, Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro by Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
First Impressions | Edgar Meyer, Yo-Yo Ma & The Silk Road Ensemble | D Major | 0 | 10B | 208 BPM | ||
Concerto Grosso in A Minor for Two Violins, Op. 3 No. 8: Allegro | David Oistrakh, Igor Oistrakh | A Minor | 2 | 8A | 96 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Piano Concerto no. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Kirill Kondrashin, Staatliches Sinfonie Orchester Istanbul | C Minor | 0 | 5A | 73 BPM | ||
Cello Concerto in B-Flat Major, G. 482: I. Allegro moderato | Luigi Boccherini, Yo-Yo Ma, Pinchas Zukerman, Saint Paul Chamber Orchestra | F Major | 1 | 7B | 81 BPM | ||
Giuseppe Tornatore Suite: Playing Love from "The Legend of 1900" | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | D Major | 1 | 10B | 80 BPM | ||
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
Ave Maria, D. 839, Op. 52, No. 6 (Ellens Gesang III from "Ein Fräulein vom See") [Arr. for Cello and Piano] | Franz Schubert, Yo-Yo Ma, Kathryn Stott | B♭ Major | 1 | 6B | 89 BPM | ||
The Eternal Vow | Tan Dun, Yo-Yo Ma, Chen Xie Yang, Shanghai Symphony Orchestra, Shanghai National Orchestra | D Minor | 0 | 7A | 83 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM |