"Piano Concerto No. 20 in D Minor, K. 466: II. Romance" by Wolfgang Amadeus Mozart, Vladimir Ashkenazy, London Symphony Orchestra, Hans Schmidt-Isserstedt was released on 1968. Piano Concerto No. 20 in D Minor, K. 466: II. Romance appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Vladimir Ashkenazy, London Symphony Orchestra, Hans Schmidt-Isserstedt's "Mozart: Piano Concerto No. 20, Piano Concerto No. 6 (Hans Schmidt-Isserstedt Edition – Decca Recordings, Vol. 11)" album is number 2 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Piano Concerto No. 20 in D Minor, K. 466: II. Romance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 20 in D Minor, K. 466: II. Romance by Wolfgang Amadeus Mozart, Vladimir Ashkenazy, London Symphony Orchestra, Hans Schmidt-Isserstedt to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana: I. O Fortuna | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 1 | 10B | 123 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Piano Sonata No.23 in F minor, Op.57 -"Appassionata": 2. Andante con moto | Ludwig van Beethoven, Vladimir Ashkenazy | D♭ Major | 0 | 3B | 104 BPM | ||
Piano Concerto No. 5 in E Flat, Op.73 'Emperor': II. Adagio un poco mosso | Wolfgang Sawallisch, Philharmonia Orchestra, Youri Egorov | B Major | 0 | 1B | 132 BPM | ||
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
Keyboard Sonata in B-Flat Major, Kk. 529 (L. 327): Allegro | Domenico Scarlatti, Ivo Pogorelich | B♭ Major | 2 | 6B | 178 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Waldszenen, Op. 82: No. 7 Vogel als Prophet | Robert Schumann, Wilhelm Kempff | E Major | 0 | 12B | 120 BPM | ||
Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": IV. Presto | Franz Joseph Haydn, London Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 78 BPM | ||
Polonaise in B-Flat Major for Violin and Orchestra, D. 580 | Franz Schubert, David Zinman | B♭ Major | 1 | 6B | 98 BPM |