Piano Concerto No. 20 in D Minor, K. 466: II. Romance

Wolfgang Amadeus Mozart, Vladimir Ashkenazy, London Symphony Orchestra, Hans Schmidt-Isserstedt
Mozart: Piano Concerto No. 20, Piano Concerto No. 6 (Hans Schmidt-Isserstedt Edition – Decca Recordings, Vol. 11)
10:32 1968日
テンポ
75
キー
B♭ Major
キャメロットミュージックキー
6B

リンクを埋め込む

共有

Piano Concerto No. 20 in D Minor, K. 466: II. Romance - Wolfgang Amadeus Mozart, Vladimir Ashkenazy, London Symphony Orchestra, Hans Schmidt-Isserstedt 情報

音響性
99%
ダンサビリティ
19%
エネルギー
4%
手段性
91%
活気
9%
ラウドネス
62%
話し言葉
3%
価数
8%
人気
ラウドネス
-23.093 dB

まとめ

"Piano Concerto No. 20 in D Minor, K. 466: II. Romance" by Wolfgang Amadeus Mozart, Vladimir Ashkenazy, London Symphony Orchestra, Hans Schmidt-Isserstedt was released on 1968. Piano Concerto No. 20 in D Minor, K. 466: II. Romance appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Vladimir Ashkenazy, London Symphony Orchestra, Hans Schmidt-Isserstedt's "Mozart: Piano Concerto No. 20, Piano Concerto No. 6 (Hans Schmidt-Isserstedt Edition – Decca Recordings, Vol. 11)" album is number 2 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Piano Concerto No. 20 in D Minor, K. 466: II. Romance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Concerto No. 20 in D Minor, K. 466: II. Romance テンポ

We consider the tempo marking of Piano Concerto No. 20 in D Minor, K. 466: II. Romance by Wolfgang Amadeus Mozart, Vladimir Ashkenazy, London Symphony Orchestra, Hans Schmidt-Isserstedt to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Piano Concerto No. 20 in D Minor, K. 466: II. Romance キー

The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Nocturne No. 8 in E Flat Major, H.30 by John Field, Elizabeth Joy RoeNocturne No. 8 in E Flat Major, H.30John Field, Elizabeth Joy RoeE♭ Major05B96 BPM
Keyboard Concertino in C Major, Hob.XIV:11: I. Vivace by Joseph Haydn, Sebastian Knauer, Cologne Chamber Orchestra, Helmut Muller-BruhlKeyboard Concertino in C Major, Hob.XIV:11: I. VivaceJoseph Haydn, Sebastian Knauer, Cologne Chamber Orchestra, Helmut Muller-BruhlE Major112B131 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energicoMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigG Major29B90 BPM
String Quartet No. 2 in D Major, K. 155: III. Molto allegro by Eder QuartetString Quartet No. 2 in D Major, K. 155: III. Molto allegroEder QuartetD Major110B153 BPM
My Neighbour TOTORO by Joe Hisaishi, London Symphony OrchestraMy Neighbour TOTOROJoe Hisaishi, London Symphony OrchestraC Major28B130 BPM
Der Stein der Weisen, Act I: Seht doch! Mit gold'nem Geweih by Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin DeasDer Stein der Weisen, Act I: Seht doch! Mit gold'nem GeweihWolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin DeasE♭ Major25B77 BPM
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato by Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John BarbirolliElgar: Cello Concerto in E Minor, Op. 85: I. Adagio - ModeratoEdward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John BarbirolliE Minor19A96 BPM
Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis by Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus MozartRequiem In D Minor, K. 626: Sequence: III. Rex Tremendae MajestatisSlovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus MozartG Minor16A82 BPM
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) by Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf KempeViolin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato)Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf KempeE♭ Major15B101 BPM
10 Preludes, Op. 23: No. 5 in G Minor (Alla marcia) by Sergei Rachmaninoff, Vladimir Ashkenazy10 Preludes, Op. 23: No. 5 in G Minor (Alla marcia)Sergei Rachmaninoff, Vladimir AshkenazyG Minor26A122 BPM
ISRC
GBF076810152
レコードレーベル
L-M Records/RCA Records