"Piano Concerto No. 20 in D Minor, K. 466: II. Romance" by Wolfgang Amadeus Mozart, Vladimir Ashkenazy, London Symphony Orchestra, Hans Schmidt-Isserstedt was released on 1968. Piano Concerto No. 20 in D Minor, K. 466: II. Romance appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Vladimir Ashkenazy, London Symphony Orchestra, Hans Schmidt-Isserstedt's "Mozart: Piano Concerto No. 20, Piano Concerto No. 6 (Hans Schmidt-Isserstedt Edition – Decca Recordings, Vol. 11)" album is number 2 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Piano Concerto No. 20 in D Minor, K. 466: II. Romance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 20 in D Minor, K. 466: II. Romance by Wolfgang Amadeus Mozart, Vladimir Ashkenazy, London Symphony Orchestra, Hans Schmidt-Isserstedt to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 8 in E Flat Major, H.30 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 96 BPM | ||
Keyboard Concertino in C Major, Hob.XIV:11: I. Vivace | Joseph Haydn, Sebastian Knauer, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 131 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
String Quartet No. 2 in D Major, K. 155: III. Molto allegro | Eder Quartet | D Major | 1 | 10B | 153 BPM | ||
My Neighbour TOTORO | Joe Hisaishi, London Symphony Orchestra | C Major | 2 | 8B | 130 BPM | ||
Der Stein der Weisen, Act I: Seht doch! Mit gold'nem Geweih | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas | E♭ Major | 2 | 5B | 77 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis | Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart | G Minor | 1 | 6A | 82 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe | E♭ Major | 1 | 5B | 101 BPM | ||
10 Preludes, Op. 23: No. 5 in G Minor (Alla marcia) | Sergei Rachmaninoff, Vladimir Ashkenazy | G Minor | 2 | 6A | 122 BPM |