Aaron Copland, Leonard Bernstein, New York Philharmonic's '4 Dance Episodes from Rodeo: I. Buckaroo Holiday' came out on 1960. Since 4 Dance Episodes from Rodeo: I. Buckaroo Holiday is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 21 in Copland: Appalachian Spring, Rodeo, Billy the Kid & Fanfare for the Common Man by Aaron Copland, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, 4 Dance Episodes from Rodeo: I. Buckaroo Holiday's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 4 Dance Episodes from Rodeo: I. Buckaroo Holiday by Aaron Copland, Leonard Bernstein, New York Philharmonic is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fanfare for the Common Man | Aaron Copland, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 113 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Maestoso | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 1 | 8B | 49 BPM | ||
Danse Macabre, Op. 40 | Camille Saint-Saëns, Leonard Bernstein | E♭ Major | 2 | 5B | 107 BPM | ||
Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto - Live | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Cat | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 211 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Poco più andante | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 88 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": Ia. Adagio | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | F♯ Major | 2 | 2B | 88 BPM | ||
Vaughan Williams & Greaves: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 0 | 5A | 74 BPM | ||
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM | ||
Concert Suite from "Henry V": Touch her soft lips, and part | William Walton, Bournemouth Symphony Orchestra, Andrew Litton | E Minor | 0 | 9A | 71 BPM |