John Cage, Herbert Henck's 'Metamorphosis: I' came out on June 6, 2005. The duration of Metamorphosis: I is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Metamorphosis: I's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 21 in Cage: Early Piano Music by John Cage, Herbert Henck. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Metamorphosis: I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Metamorphosis: I by John Cage, Herbert Henck is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | F♯ Major | 4 | 2B | 148 BPM | ||
Composition 1960 No. 7 | La Monte Young, Jeroen van Veen | B Minor | 0 | 10A | 58 BPM | ||
Cage: Mysterious Adventure | John Cage, Bertrand Chamayou | F Major | 2 | 7B | 111 BPM | ||
Ligeti: Atmosphères | György Ligeti, Jonathan Nott, Berliner Philharmoniker | D♭ Major | 1 | 3B | 84 BPM | ||
In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | ||
Minor C Variation | Hildur Guðnadóttir | C Minor | 1 | 5A | 62 BPM | ||
Act IV: Bed, Aria | Philip Glass Ensemble | G Major | 1 | 9B | 174 BPM | ||
Shaker Loops (version for string orchestra): Hymning Slews | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 83 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM |