"The Four Seasons of Buenos Aires: Primavera Porteña (Spring) (Arr. for Violin and String by Leonid Desyatnikov)" by Astor Piazzolla, Isabella d'Éloize Perron, Francis Choinière, Orchestre Filmharmonique was released on February 23, 2024. The Four Seasons of Buenos Aires: Primavera Porteña (Spring) (Arr. for Violin and String by Leonid Desyatnikov) is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. Since The Four Seasons of Buenos Aires: Primavera Porteña (Spring) (Arr. for Violin and String by Leonid Desyatnikov) only contains only one song in the album, we like to consider this song as a single. The Four Seasons of Buenos Aires: Primavera Porteña (Spring) (Arr. for Violin and String by Leonid Desyatnikov) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Four Seasons of Buenos Aires: Primavera Porteña (Spring) (Arr. for Violin and String by Leonid Desyatnikov) by Astor Piazzolla, Isabella d'Éloize Perron, Francis Choinière, Orchestre Filmharmonique having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite italienne (Arranged for String Orchestra, Harpsichord and Violin by Andreas Fleck): III. Tarantella. Vivace | Igor Stravinsky, Jonian Ilias Kadesha, CHAARTS Chamber Artists | F Major | 4 | 7B | 107 BPM | ||
Oblivion (Arr. for Violin & Strings) | Astor Piazzolla, Irish Chamber Orchestra, Katherine Hunka | C Minor | 1 | 5A | 98 BPM | ||
Violin Sonata No. 6 in G Minor, Op. 103: II. Andante sostenuto | Robert Fuchs, Hyejin Chung, Warren Lee | E♭ Major | 1 | 5B | 86 BPM | ||
フォーレ:夢のあとに | Gabriel Fauré, Emiri Miyamoto | F Minor | 2 | 4A | 95 BPM | ||
Romantic Pieces, Op.75, Allegro appassionato | アントニーン・ドヴォルザーク, KIM NAYOUNG | B♭ Major | 2 | 6B | 138 BPM | ||
Miniature for Classical Violin, Op. 2, no. 1 | Rafael Krux | E Minor | 5 | 9A | 114 BPM | ||
ソング・フロム・ア・シークレット・ガーデン | ロルフ・ラヴランド, 宮田 大, ジュリアン・ジェルネ | C Minor | 0 | 5A | 71 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
jealous | ismet cerepi | B Major | 6 | 1B | 130 BPM | ||
The Shape of Stillness | Evert Van Eynde | B♭ Major | 0 | 6B | 110 BPM |