"Peter and the Wolf - A Musical Tale for Children Op. 67 [Rushton version]: Grandfather came out (Grandfather)" by Sergei Prokofiev, Willie Rushton/London Philharmonic Orchestra/David Nolan/Sian Edwards, Sian Edwards, London Philharmonic Orchestra was released on March 26, 2012. The duration of Peter and the Wolf - A Musical Tale for Children Op. 67 [Rushton version]: Grandfather came out (Grandfather) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Peter and the Wolf - A Musical Tale for Children Op. 67 [Rushton version]: Grandfather came out (Grandfather)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 30 in Carnival Of The Animals by Various Artists. Peter and the Wolf - A Musical Tale for Children Op. 67 [Rushton version]: Grandfather came out (Grandfather) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Peter and the Wolf - A Musical Tale for Children Op. 67 [Rushton version]: Grandfather came out (Grandfather) by Sergei Prokofiev, Willie Rushton/London Philharmonic Orchestra/David Nolan/Sian Edwards, Sian Edwards, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glinka: Overture from Ruslan and Ludmilla | Mikhail Glinka, Budapest Philharmonic Orchestra, Rico Saccani | D Major | 3 | 10B | 76 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): II. The Bureaucrat (Polka) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 1 | 8B | 142 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Piano Concerto No.23 In A, K.488 - Cadenza: Feruccio Busoni: 1. Allegro | Wolfgang Amadeus Mozart, Ferruccio Busoni, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Riccardo Minasi, Ensemble Resonanz | G Minor | 3 | 6A | 119 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): They all march together, Peter, then the Hunters with the Wolf | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 108 BPM |