Gaetano Donizetti, Berliner Symphoniker, Ernst Märzendorfer, Rudolf Schock, Ludwig Welter's 'Der Liebestrank, Act I: "Nur Mut! Zu meinem Glück vielleicht" (Nemorino, Dulcamara)' came out on September 5, 2014. With Der Liebestrank, Act I: "Nur Mut! Zu meinem Glück vielleicht" (Nemorino, Dulcamara) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 13 out of 28 in Donizetti: Der Liebestrank by Gaetano Donizetti, Berliner Symphoniker, Ernst Märzendorfer, Stina-Britta Melander, Rudolf Schock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Der Liebestrank, Act I: "Nur Mut! Zu meinem Glück vielleicht" (Nemorino, Dulcamara) is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Der Liebestrank, Act I: "Nur Mut! Zu meinem Glück vielleicht" (Nemorino, Dulcamara) by Gaetano Donizetti, Berliner Symphoniker, Ernst Märzendorfer, Rudolf Schock, Ludwig Welter is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 1 | 5B | 82 BPM | ||
Le Nozze di Figaro, K.492 (1997 - Remaster): Porgi, amor | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 79 BPM | ||
Don Pasquale: Act I: E' sua sorella. - Ah! Mi fa il destin mendico | Gaetano Donizetti, Roberto Abbado | B♭ Major | 1 | 6B | 135 BPM | ||
La Gioconda / Act II: "Cielo e mar" | Amilcare Ponchielli, Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | E♭ Major | 2 | 5B | 80 BPM | ||
La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Lohengrin, WWV 75 / Act 3: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Plácido Domingo, Hans Sotin, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 86 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Maria Stuarda / Act 3: "Oh mio buon Talbot!" - "Delle miei colpe lo squallido | Gaetano Donizetti, Beverly Sills, Louis Quilico, London Philharmonic Orchestra, Aldo Ceccato | F Major | 0 | 7B | 63 BPM | ||
Don Pasquale / Act 2: "Povero Ernesto! Cercherò lontana terra" | Gaetano Donizetti, Juan Diego Flórez, Gianluigi Petrarulo, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A♭ Major | 1 | 4B | 127 BPM |