The Broadside Band's ' "Well-Hall" was released on its scheduled release date, 1991. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 22 in English Country Dances from Playford's Dancing Master 1651-1703 by The Broadside Band. Based on our statistics, Well-Hall's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Well-Hall by The Broadside Band is Allegro (fast, quick, and bright), since this song has a tempo of 123 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kontomdo | Serby Laur | B♭ Major | 2 | 6B | 68 BPM | ||
Mistresse Nichols Almand | John Dowland, The Rose Consort Of Viols, Jacob Heringman | A♭ Major | 0 | 4B | 114 BPM | ||
Les plaisirs: Gavotte pour les Suisses | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 121 BPM | ||
The False Consonances of Musick, Aria I | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
Spagnoletta | Fabritio Caroso, Domenico Cerasani, Massimo Lonardi | C Major | 1 | 8B | 179 BPM | ||
Adson's Masque | John Adson, Dorothee Oberlinger | G Minor | 2 | 6A | 130 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Sonatae unarum fidium - Sonata IV in D Major (Introduction - Sarabande - Guige - Allegro - Presto) | Johann Heinrich Schmelzer, Ensemble Castelkorn, Josef Žák | A♭ Major | 2 | 4B | 122 BPM | ||
Lute Sonata No. 34 in D Minor: I. Prelude | Silvius Leopold Weiss, Robert Barto | C Minor | 1 | 5A | 86 BPM | ||
Mystery (Rosary) Sonata No. 2 in A Major, The Visitation: I. Sonata - Presto | Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti | A♭ Major | 1 | 4B | 90 BPM |