Jean Barrière, Guy Johnston, Sheku Kanneh-Mason's 'Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: I. Andante' came out on September 8, 2017. With this song being about 5 minutes long, at 4:30, "Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: I. Andante" by Jean Barrière, Guy Johnston, Sheku Kanneh-Mason is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Tecchler's Cello: From Cambridge to Rome". In this album, this song's track order is #7. Based on our statistics, Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: I. Andante's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: I. Andante by Jean Barrière, Guy Johnston, Sheku Kanneh-Mason having a テンポ of 138 with a half-time of 69 テンポ and a double-time of 276 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo – Allegro | Franz Joseph Haydn, Pavel Gomziakov, Erik Heide, Orquestra Gulbenkian | D Major | 1 | 10B | 137 BPM | ||
With Rue My Heart Is Laden, Op. 2 No. 2 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B Minor | 0 | 10A | 66 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | B Major | 7 | 1B | 142 BPM | ||
Cello Sonata in D Minor: II. Allegro | Jean Barrière, David Simpson, Noelle Spieth, Antoine Ladrette, Elena Andreyev | B Minor | 1 | 10A | 165 BPM | ||
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM | ||
Souvenir d'un lieu cher, Op. 42: Ib. Méditation (Orch. Glazunov) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov | B♭ Major | 2 | 6B | 99 BPM | ||
Kyrie | Matthew Coleridge, RSVP Voices, Rob Johnston, Guy Johnston, Stephen Farr | D Minor | 0 | 7A | 81 BPM | ||
4 Postludes for Piano & String Orchestra: No. 3. Larghetto, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | G Major | 0 | 9B | 74 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM |