"Schubert / Arr. Capuçon for Violin and Piano: Ave Maria, Op. 52 No. 6, D. 839" by Franz Schubert, Renaud Capuçon, Jerome Ducros was released on April 6, 2007. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 21 in Capriccio - Works for Violin and Piano [Digital version] by Renaud Capuçon. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Schubert / Arr. Capuçon for Violin and Piano: Ave Maria, Op. 52 No. 6, D. 839 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Schubert / Arr. Capuçon for Violin and Piano: Ave Maria, Op. 52 No. 6, D. 839 by Franz Schubert, Renaud Capuçon, Jerome Ducros is Presto (very, very fast), since this song has a tempo of 183 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paganini / Transc. Fournier: Variations on One String on a Theme from Rossini's "Mosè in Egitto" (Transc. Fournier) | Niccolò Paganini, Gautier Capuçon, Jerome Ducros | D Major | 1 | 10B | 117 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 93 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
4 Impromptus, Op.90, D.899: No.3 in G flat: Andante | Franz Schubert, Alfred Brendel | F♯ Major | 0 | 2B | 64 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第6曲 知りたがる男 | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | B Major | 0 | 1B | 79 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM |