"Kinderszenen, Op. 15 "Scenes from Childhood": VII. Träumerei in F Major" by Adelaide Symphony Orchestra, Ron Spigelman was released on June 3, 2016. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "My First Lullaby Album" album is number 19 out of 24. Kinderszenen, Op. 15 "Scenes from Childhood": VII. Träumerei in F Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kinderszenen, Op. 15 "Scenes from Childhood": VII. Träumerei in F Major by Adelaide Symphony Orchestra, Ron Spigelman to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stan and Mabel: 10. I Like the Beat of Your Feet | Paul Rissmann, Young Adelaide Voices, Adelaide Symphony Orchestra, Benjamin Northey | A♭ Minor | 2 | 1A | 118 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | G Major | 1 | 9B | 142 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: 2. Largo ma non tanto | Australian Chamber Orchestra, Richard Tognetti, Helena Rathbone | E Major | 8 | 12B | 204 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": No. 9 "Nimrod" (Arr. Elgar for Piano) | Edward Elgar, Lang Lang | E♭ Major | 1 | 5B | 138 BPM | ||
Concerto in F Minor for Bass Tuba and Orchestra: I. Allegro moderato | Ralph Vaughan Williams, Peter Whish-Wilson, David Stanhope, Adelaide Symphony Orchestra | B♭ Minor | 1 | 3A | 67 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Caribbean Dance: A New Jamaican Rumba | Arthur Benjamin, Adelaide Symphony Orchestra, Guy Noble | B♭ Major | 2 | 6B | 80 BPM | ||
Violin Romance No.2 in F major, Op.50 | Ludwig van Beethoven, David Oistrakh, Eugene Goossens, Royal Philharmonic Orchestra | E♭ Major | 0 | 5B | 94 BPM | ||
24 Préludes, Op. 28: No. 15 Sostenuto in D-Flat Major, C. 180 "Raindrop Prelude" | Lang Lang | D♭ Major | 0 | 3B | 134 BPM | ||
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM |