Erik Satie, Philippe Entremont's '3 Gymnopédies: No. 1, Lent et douloureux' came out on 1953. The duration of 3 Gymnopédies: No. 1, Lent et douloureux is about 3 minutes long, at 3:25. Based on our data, "3 Gymnopédies: No. 1, Lent et douloureux" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Träumerei - Liebestraum - Für Elise - Clair de lune - Gymnopédie - Sony Classical Masters". In this album, this song's track order is #14. Based on our statistics, 3 Gymnopédies: No. 1, Lent et douloureux's popularity is average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
With 3 Gymnopédies: No. 1, Lent et douloureux by Erik Satie, Philippe Entremont having a テンポ of 130 with a half-time of 65 テンポ and a double-time of 260 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Constellation of Future Memories (Constelación de los Recuerdos Futuros) | Julián Fueyo | D Minor | 0 | 7A | 78 BPM | ||
Fracture | Stephan Moccio | D Major | 0 | 10B | 85 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Snow Prelude No. 3 | Dalal | F Major | 1 | 7B | 120 BPM | ||
Songs My Mother Taught Me, Op.55 No.4 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | D Major | 0 | 10B | 96 BPM | ||
La Fille Sans Larmes | Lo Mimieux | C Major | 0 | 8B | 143 BPM | ||
3 Gymnopédies: Gymnopedie No. 1 | Erik Satie, Klara Kormendi | G Major | 0 | 9B | 99 BPM | ||
Swan Lake, Op. 20, TH. 12: Dance of the Four Swans (Arr. Wild for Piano) | Pyotr Ilyich Tchaikovsky, Yuja Wang | B Minor | 1 | 10A | 113 BPM | ||
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM |