"Mosow-Cheryomushki, Op. 105, Act I Scene 2: Song about Cheremushki. Cheremushki… (Lyusya, Boris, Sergey, Chorus)" by Dmitri Shostakovich, Gennady Rozhdestvensky, Hague Residentie Orchestra, Lydia Chernykh, Anatoly Lochak, Herman Apaikin, State Symphony Capella of Russia, Valeri Polyansky was released on November 1, 1997. The duration of Mosow-Cheryomushki, Op. 105, Act I Scene 2: Song about Cheremushki. Cheremushki… (Lyusya, Boris, Sergey, Chorus) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Mosow-Cheryomushki, Op. 105, Act I Scene 2: Song about Cheremushki. Cheremushki… (Lyusya, Boris, Sergey, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Shostakovich: Moscow-Cheryomushki". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. The popularity of Mosow-Cheryomushki, Op. 105, Act I Scene 2: Song about Cheremushki. Cheremushki… (Lyusya, Boris, Sergey, Chorus) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mosow-Cheryomushki, Op. 105, Act I Scene 2: Song about Cheremushki. Cheremushki… (Lyusya, Boris, Sergey, Chorus) by Dmitri Shostakovich, Gennady Rozhdestvensky, Hague Residentie Orchestra, Lydia Chernykh, Anatoly Lochak, Herman Apaikin, State Symphony Capella of Russia, Valeri Polyansky having a テンポ of 174 with a half-time of 87 テンポ and a double-time of 348 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin: Ballade No. 1 in G Minor, Op. 23 | Frédéric Chopin, Alexandre Tharaud | G Minor | 2 | 6A | 69 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Minor | 3 | 5A | 98 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute" | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM |