"Die Schopfung (The Creation), Hob.XXI:2: Part II: Vollendet ist das grosse Werk (Acheived is the glorious work) (Chorus)" by Joseph Haydn, Max Emanuel Cenčić, Christian Bauer, Ernst Jankowitsch, Gertraud Schmid, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter Marschik was released on January 1, 1994. With Die Schopfung (The Creation), Hob.XXI:2: Part II: Vollendet ist das grosse Werk (Acheived is the glorious work) (Chorus) being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Joseph Haydn, Peter Marschik's "Haydn, F.J.: Schopfung (Die) (The Creation)" album is number 7 out of 34. On top of that, United States appears to be the country where this track was created. Based on our statistics, Die Schopfung (The Creation), Hob.XXI:2: Part II: Vollendet ist das grosse Werk (Acheived is the glorious work) (Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schopfung (The Creation), Hob.XXI:2: Part II: Vollendet ist das grosse Werk (Acheived is the glorious work) (Chorus) by Joseph Haydn, Max Emanuel Cenčić, Christian Bauer, Ernst Jankowitsch, Gertraud Schmid, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter Marschik to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Elias, Op. 70, MWV A25, Part I: No. 3, Recitative "Zerreißet eure Herzen" (Obadjah) | Felix Mendelssohn, John Mark Ainsley, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
Mass No. 2 in G Major, D. 167: II. Gloria | Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | G Minor | 0 | 6A | 88 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Coro: Vieni ai regni del riposo | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | A Minor | 1 | 8A | 88 BPM | ||
Missa Sancti Georgii: IV. Sanctus | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | E Major | 1 | 12B | 113 BPM | ||
Messiah, HWV 56: Pt. II: Accompagnato. All they That see Him Laugh Him to scorn (Tenor) | George Frideric Handel, Max Emanuel Cenčić, Charles Humphries, Ivan Sharpe, Robert Torday, Chorus Viennensis, Academy Of London, Peter Marschik | D Major | 2 | 10B | 104 BPM | ||
Theodora, Hwv 68: Act I Scene 5: Air: Angels, ever bright and fair | George Frideric Handel, Christina Wieland, Frankfurt Baroque Orchestra, Joachim Carlos Martini | B♭ Minor | 0 | 3A | 55 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Sanctus | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 125 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Die Schöpfung, Hob. XXI:2, Erster Teil: XI. Chor "Stimmt an die Saiten" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Minor | 1 | 7A | 77 BPM |