Johann Sebastian Bach, Philippe Pierlot, Katharine Fuge, Jan Kobow, Stephan MacLeod, Ricercar Consort, Carlos Mena's 'Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Coro' came out on 2001. The duration of Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Coro is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Coro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 17 in Bach: Actus Tragicus by Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Carlos Mena, Jan Kobow, Katharine Fuge, Stephan MacLeod. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Coro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Coro by Johann Sebastian Bach, Philippe Pierlot, Katharine Fuge, Jan Kobow, Stephan MacLeod, Ricercar Consort, Carlos Mena is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande | Johann Sebastian Bach, Yo-Yo Ma | C Minor | 1 | 5A | 169 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM |