Paweł Nowak, Orkiestra Kameralna Progress's 'La Valse d'Ameli z filmu "Amelia"' came out on November 10, 2015. The duration of La Valse d'Ameli z filmu "Amelia" is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. La Valse d'Ameli z filmu "Amelia"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Najpiękniejsza muzyka filmowa OST". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Poland. La Valse d'Ameli z filmu "Amelia" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Valse d'Ameli z filmu "Amelia" by Paweł Nowak, Orkiestra Kameralna Progress having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
By The Sea (From Eternity And A Day) | Eleni Karaindrou, Eduardo Viñuela | B♭ Minor | 0 | 3A | 138 BPM | ||
Vivaldi Like Violin Solo | Rafael Krux, David Krulic, Orchestralis | A Major | 2 | 11B | 75 BPM | ||
November | Max Richter, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | C Major | 4 | 8B | 120 BPM | ||
Ride to Salpêtrière | Asaf Avidan | A Major | 1 | 11B | 90 BPM | ||
W.Kilar/G.Niemczuk - Theme from The Pianist | Grzegorz Niemczuk, Wojciech Kilar | E Minor | 1 | 9A | 128 BPM | ||
Aki | Caner Unsal | F Major | 1 | 7B | 128 BPM | ||
Love Stream | Brice Davoli | C Minor | 2 | 5A | 180 BPM | ||
Le dernier homme - Instrumental | Daprinski | F Major | 7 | 7B | 120 BPM | ||
Historiette No. 5 | Fabrizio Paterlini | D Minor | 2 | 7A | 83 BPM | ||
Şubat | Can Atilla | D Minor | 3 | 7A | 162 BPM |