Felix Mendelssohn, Daniel Barenboim made "Lieder ohne Worte, Op.67: No. 4. Presto In C, MWV U 182 - "Spinning Song"" available on January 1, 1974. With Lieder ohne Worte, Op.67: No. 4. Presto In C, MWV U 182 - "Spinning Song" being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Daniel Barenboim's "Mendelssohn: Songs without Words" album is number 10 out of 58. Based on our statistics, Lieder ohne Worte, Op.67: No. 4. Presto In C, MWV U 182 - "Spinning Song"'s popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Lieder ohne Worte, Op.67: No. 4. Presto In C, MWV U 182 - "Spinning Song" by Felix Mendelssohn, Daniel Barenboim to be Vivace (lively and fast) because the track has a tempo of 158 テンポ, a half-time of 79テンポ, and a double-time of 316 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces for the Left Hand, Op. 9: No. 1. Prelude in C-Sharp Minor | Alexander Scriabin, Maria Lettberg | G Major | 3 | 9B | 141 BPM | ||
Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: III. Allegro con fuoco | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Minor | 4 | 8A | 128 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Suite For Cello And Orchestra, Op. 16: I. Prélude (moderato assai) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 77 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Nocturne No.13 In C Minor, Op.48 No.1 | Frédéric Chopin, Daniel Barenboim | C Major | 0 | 8B | 73 BPM | ||
Cello Concerto In C Major, Hob.VIIb:1: 3. Finale | Franz Joseph Haydn, Pierre Fournier, Lucerne Festival Strings, Rudolf Baumgartner | E♭ Major | 2 | 5B | 138 BPM | ||
Fantasie in C, Op. 17: 3. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | Robert Schumann, Daniel Barenboim | B Major | 0 | 1B | 83 BPM |