"Sonata for Violin and Piano in G Minor, L. 140: I. Allegro vivo" by Claude Debussy, Augustin Dumay, Maria João Pires was released on April 14, 2020. With this song being about 5 minutes long, at 5:04, "Sonata for Violin and Piano in G Minor, L. 140: I. Allegro vivo" by Claude Debussy, Augustin Dumay, Maria João Pires is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Work From Home With Debussy by Claude Debussy. The song's track number on the album is #16 out of 54 tracks. In terms of popularity, Sonata for Violin and Piano in G Minor, L. 140: I. Allegro vivo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sonata for Violin and Piano in G Minor, L. 140: I. Allegro vivo by Claude Debussy, Augustin Dumay, Maria João Pires has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonata for Violin and Piano in G Minor, L. 140: I. Allegro vivo being at 104 テンポ, the half-time would be 52 テンポ with a double-time of 208 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
Arietta | Edvard Grieg, Christopher Ferreira | E♭ Major | 0 | 5B | 142 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Suite bergamasque: Suite bergamasque: III. Clair de lune. Andante très expressif | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 67 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
2 Arabesques (arr. A. Miolin): Arabesque No. 1 | Anders Miolin, Claude Debussy | G Major | 0 | 9B | 82 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
Nocturnes: No. 1. Nuages | Claude Debussy, MDR Leipzig Radio Chorus, Leipzig Radio Symphony Orchestra, Max Pommer | C Major | 0 | 8B | 76 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM |