"Cello Suite No. 1, Op. 72: Canto terzo" by Benjamin Britten, Alban Gerhardt was released on January 1, 2004. The duration of Cello Suite No. 1, Op. 72: Canto terzo is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Cello Suite No. 1, Op. 72: Canto terzo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 18 in Britten: Cello Suite No. 1 / Bach, J.S.: Cello Suite No. 5 / Kodaly: Cello Sonata by Alban Gerhardt. In terms of popularity, Cello Suite No. 1, Op. 72: Canto terzo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Suite No. 1, Op. 72: Canto terzo by Benjamin Britten, Alban Gerhardt is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Danse religieuse - Modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | A Major | 1 | 11B | 174 BPM | ||
Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 3. Molto vivace | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 120 BPM | ||
Symphonie "Mathis der Maler": I. Engelkonzert | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 106 BPM | ||
Calypso | Wystan Hugh Auden, Benjamin Britten, Sarah Walker, Roger Vignoles | A♭ Major | 0 | 4B | 72 BPM | ||
Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra | D Major | 1 | 10B | 99 BPM | ||
Johnny: Tell me the truth about love | Benjamin Britten, Della Jones, Steuart Bedford | B♭ Major | 0 | 6B | 108 BPM | ||
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): II. Merlyn's Tune and Tree Music | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | D Major | 1 | 10B | 78 BPM |