"The Crucifixion: Recitative: And as Moses lifted up the serpent (Bass)" by John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown was released on May 1, 2005. With The Crucifixion: Recitative: And as Moses lifted up the serpent (Bass) being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Stainer: Crucifixion (The)". In this album, this song's track order is #8. The Crucifixion: Recitative: And as Moses lifted up the serpent (Bass) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Crucifixion: Recitative: And as Moses lifted up the serpent (Bass) by John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Be Still For The Presence Of The Lord (The Holy One Is Here) | BBC Radio 4 Daily Service Singers | D Major | 0 | 10B | 76 BPM | ||
Psalm 119 "Thy Hands Have Made Me" | George Mursell Garrett, Edward Hopkins, J. Lemon, Arthur H. Mann, Durham Cathedral Choir, Ian Shaw, James Lancelot | A♭ Major | 1 | 4B | 74 BPM | ||
Be Thou My Vision | The Choir of St. Mary's Episcopal Cathedral | E♭ Major | 1 | 5B | 138 BPM | ||
Lead Me On | Brian A. Schmidt, Westminster Williamson Voices, James Jordan | E Major | 1 | 12B | 94 BPM | ||
Cupid Look About Thee | John Stainer, David James, Paul Elliott, Leigh Nixon, Paul Hillier | D♭ Major | 1 | 3B | 105 BPM | ||
Love One Another | John Bell, The Cathedral Singers | D Major | 2 | 10B | 83 BPM | ||
Dormi Jesu, Op. 3 | Edmund Rubbra, St. Margaret's Westminster Singers, Richard Hickox | E Minor | 1 | 9A | 72 BPM | ||
Domine non secundum | Vincent Warnier - Ensemble Vocal Jean Sourisse | B Major | 1 | 1B | 83 BPM | ||
God, That Madest Earth and Heaven | Harvard University Choir | G Major | 2 | 9B | 84 BPM | ||
Messe Solennelle, Op. 16 - Agnus Dei | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A♭ Major | 1 | 4B | 135 BPM |