Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo's 'Cello Concerto No. 2, W516: III. Scherzo. Vivace - Cadenza' came out on September 22, 2023. With this song being about 5 minutes long, at 4:59, "Cello Concerto No. 2, W516: III. Scherzo. Vivace - Cadenza" by Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Villa-Lobos: Cello Concertos, Nos. 1 & 2 & Fantasia for Cello & Orchestra by Heitor Villa-Lobos, Isaac Karabtchevsky, Antonio Meneses, Orquestra Sinfônica do Estado de São Paulo. The song's track number on the album is #6 out of 10 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Cello Concerto No. 2, W516: III. Scherzo. Vivace - Cadenza's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cello Concerto No. 2, W516: III. Scherzo. Vivace - Cadenza by Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo has a tempo of 133 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Cello Concerto No. 2, W516: III. Scherzo. Vivace - Cadenza being at 133 テンポ, the half-time would be 66 テンポ with a double-time of 266 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata K 40 | Domenico Scarlatti, Abel Carlevaro | A Major | 2 | 11B | 138 BPM | ||
6 Etudes: Leccion No. 29 | Norbert Kraft | E Minor | 0 | 9A | 79 BPM | ||
Danzas Argentinas, Op. 2: 2. Danza de la moza donosa | Alberto Ginastera, Lang Lang | A Minor | 0 | 8A | 134 BPM | ||
Suite espagnole, Op. 47: VI. Aragón | Isaac Albéniz, Thibault Cauvin | F Major | 2 | 7B | 169 BPM | ||
12 Estudos, W235: II. Allegro - arpejos | Heitor Villa-Lobos, Mickael Viegas | E Major | 3 | 12B | 79 BPM | ||
Valsa de esquina No. 8 | Francisco Mignone, Gustavo Tavares, Nelson Faria | E Minor | 1 | 9A | 200 BPM | ||
Requiebros | Gaspar Cassadó, Sheku Kanneh-Mason, Isata Kanneh-Mason | D Major | 2 | 10B | 84 BPM | ||
Bachianas brasileiras No. 3: III. Aria: Modinha | Heitor Villa-Lobos, Jose Feghali, Nashville Symphony Orchestra, Kenneth Schermerhorn | C Minor | 1 | 5A | 96 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
24 Preludes For Piano, Op.11: No. 12 In G Sharp Minor | Alexander Scriabin, Yuja Wang | A♭ Minor | 0 | 1A | 73 BPM |