Michael Praetorius, Baltimore Consort's ' "Volte" was released on its scheduled release date, January 1, 1993. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Volte's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Renaissance Music (Instrumental and Vocal) - Le Roy, A. / Praetorius, M. / Bassano, G. / Phalese, P. (La Rocque' N' Roll)". In this album, this song's track order is #9. Based on our statistics, Volte's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Volte by Michael Praetorius, Baltimore Consort having a テンポ of 145 with a half-time of 72 テンポ and a double-time of 290 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Welt, ich muss dich lassen (arr. M. Praetorius for vocal ensemble) | Heinrich Isaac, Michael Praetorius, Stimmwerck | F Major | 0 | 7B | 75 BPM | ||
Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Minor | 0 | 6A | 97 BPM | ||
Fantasia | Luis de Narváez, Shirley Rumsey | C Minor | 0 | 5A | 95 BPM | ||
Paradetas | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 2 | 10B | 121 BPM | ||
Une m'avoit promis | Adrian Le Roy, Baltimore Consort | C Major | 2 | 8B | 118 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Douce dame jolie | Guillaume de Machaut, Munir Beken, August Denhard | A Minor | 1 | 8A | 123 BPM | ||
Greensleeves (II) | John Johnson, Baltimore Consort | F Major | 1 | 7B | 90 BPM | ||
Straloch Lute Book: Canaries | Anonymous , Baltimore Consort | F Minor | 1 | 4A | 133 BPM | ||
Suite in G Major: VI. Chaconne | Robert de Visée, Yasunori Imamura | F Major | 1 | 7B | 117 BPM |