Arthur Sullivan, Owen Brannigan, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey's '37. We triumph now' came out on January 1, 1968. The duration of 37. We triumph now is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. 37. We triumph now's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey's "Gilbert & Sullivan: The Pirates of Penzance" album is number 23 out of 40. 37. We triumph now is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 37. We triumph now by Arthur Sullivan, Owen Brannigan, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sullivan: The Mikado or The Town of Titipu, Act 2: No. 23, Duet, "There is beauty in the bellow of the blast" (Katisha, Ko-Ko) | Arthur Sullivan, Monica Sinclair/Sir Geraint Evans/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | E♭ Major | 2 | 5B | 101 BPM | ||
Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Leontyne Price, Giuseppe Taddei, Wiener Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 76 BPM | ||
West Side Story: 15. I Have A Love | Leonard Bernstein, Kiri Te Kanawa, Tatiana Troyanos | D Major | 1 | 10B | 92 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 3, General Dance | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 1 | 11B | 64 BPM | ||
Così fan tutte, K. 588 / Act I: "Ah, guarda, sorella" | Wolfgang Amadeus Mozart, Angela Brower, Miah Persson, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E♭ Major | 1 | 5B | 167 BPM | ||
Fantasia On British Sea Songs - The Anchors Weighed | Traditional, Royal Philharmonic Orchestra | G Major | 1 | 9B | 72 BPM | ||
How Far I'll Go - From "Moana" | Royal Philharmonic Orchestra | E Major | 3 | 12B | 84 BPM | ||
Peter Grimes, Op. 33 / Prologue: "You Sailed Your Boat" | Benjamin Britten, Owen Brannigan, Sir Peter Pears, Lauris Elms, David Kelly, Claire Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 1 | 6B | 94 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 18, Solveig's Song | Edvard Grieg, Sir Thomas Beecham, Ilse Hollweg, Royal Philharmonic Orchestra | A Minor | 1 | 8A | 88 BPM | ||
Beecham & Handel: The Gods Go a'Begging: II. First Dance (After Teseo, HWV 9) | George Frideric Handel, Sir Thomas Beecham, Royal Philharmonic Orchestra | C Minor | 0 | 5A | 78 BPM |