Consolations, S. 172: No. 3 in D-Flat Major

Franz Liszt, John O'Conor
Autumn Songs: Popular Works for Solo Piano
3:37 1995年7月1日
テンポ
84
キー
B♭ Major
キャメロットミュージックキー
6B

リンクを埋め込む

共有

Consolations, S. 172: No. 3 in D-Flat Major - Franz Liszt, John O'Conor 情報

音響性
99%
ダンサビリティ
20%
エネルギー
3%
手段性
84%
活気
12%
ラウドネス
56%
話し言葉
4%
価数
17%
人気
ラウドネス
-26.449 dB

まとめ

"Consolations, S. 172: No. 3 in D-Flat Major" by Franz Liszt, John O'Conor was released on July 1, 1995. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 20 out of 21 in Autumn Songs: Popular Works for Solo Piano by John O'Conor. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Consolations, S. 172: No. 3 in D-Flat Major is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Consolations, S. 172: No. 3 in D-Flat Major テンポ

The tempo marking of Consolations, S. 172: No. 3 in D-Flat Major by Franz Liszt, John O'Conor is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Consolations, S. 172: No. 3 in D-Flat Major キー

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Brook Green Suite: II. Air by Gustav Holst, English Sinfonia, Howard GriffithsBrook Green Suite: II. AirGustav Holst, English Sinfonia, Howard GriffithsF Major17B127 BPM
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia by Aram Khachaturian, London Symphony OrchestraKhachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and PhrygiaAram Khachaturian, London Symphony OrchestraA♭ Major14B88 BPM
4 Pieces, Op. 51: 2. Prélude by Alexander Scriabin, Evgeny Kissin4 Pieces, Op. 51: 2. PréludeAlexander Scriabin, Evgeny KissinF Major07B75 BPM
Mazurka in C Major by Mikhail Glinka, Inga FioliaMazurka in C MajorMikhail Glinka, Inga FioliaA Minor08A69 BPM
2 Arabesques, L. 66: No. 1 in E Major by Claude Debussy, Michael Korstick2 Arabesques, L. 66: No. 1 in E MajorClaude Debussy, Michael KorstickE Major012B109 BPM
Kol Nidrei - Adagio For Cello, Opus 47 by Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimKol Nidrei - Adagio For Cello, Opus 47Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimD Major110B81 BPM
Minuet in A major, D. 334 by Franz Schubert, Arcadi VolodosMinuet in A major, D. 334Franz Schubert, Arcadi VolodosA Major011B92 BPM
Introduction and Rondo capriccioso in A Minor by Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni WitIntroduction and Rondo capriccioso in A MinorCamille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni WitA Minor18A91 BPM
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) by Johann Sebastian Bach, Gabriela MonteroMontero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042)Johann Sebastian Bach, Gabriela MonteroF♯ Minor011A73 BPM
Schwanengesang, S. 560: No. 4 Ständchen by Franz Liszt, Vladimir HorowitzSchwanengesang, S. 560: No. 4 StändchenFranz Liszt, Vladimir HorowitzD Major010B74 BPM
ISRC
USTE10320391
レコードレーベル
L-M Records/RCA Records