"Britten: Men of Goodwill" by Benjamin Britten, Sir Neville Marriner, Minnesota Orchestra had its release date on January 1, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 10 in Britten: The Young Person's Guide to the Orchestra & Four Sea Interludes by Benjamin Britten, Sir Neville Marriner, Minnesota Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Britten: Men of Goodwill is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Britten: Men of Goodwill by Benjamin Britten, Sir Neville Marriner, Minnesota Orchestra is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of Abduction | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | D Minor | 6 | 7A | 103 BPM | ||
Suite for Violin and Piano, Op. 6: IV. Lullaby: Lento tranquillo | Benjamin Britten, Matthew Jones, Annabel Thwaite | E Minor | 2 | 9A | 123 BPM | ||
Violin Concerto, Op. 15: II. Vivace – Animando – Largamente – Cadenza - Live | Benjamin Britten, Isabelle Faust, Symphonieorchester des Bayerischen Rundfunks, Jakub Hrůša, Boris Faust | A Minor | 2 | 8A | 164 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 0 | 11B | 69 BPM | ||
Ravel: Ma mère l'Oye, M. 60: II. Petit Poucet | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | C Minor | 0 | 5A | 124 BPM | ||
Peter Grimes, Op. 33 / Act 1: "Now the Great Bear and Pleiades" | Benjamin Britten, Sir Peter Pears, Marion Studholme, Iris Kells, Raymond Nilsson, James Pease, Jean Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | E Minor | 1 | 9A | 132 BPM | ||
5 Stücke im Volkston, Op. 102: 4. Nicht zu rasch | Robert Schumann, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 51 BPM | ||
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 1 | 5B | 130 BPM | ||
Fünf Lieder: Ich Wandle Unter Blumen | Alma Mahler, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM |