"Die Schöpfung Hob. XXI:2 / Zweiter Teil: 21. Rezitativ: "Gleich öffnet sich der Erde Schoß" (Raphael)" by Franz Joseph Haydn, Kurt Moll, Berliner Philharmoniker, James Levine was released on January 1, 1991. The duration of Die Schöpfung Hob. XXI:2 / Zweiter Teil: 21. Rezitativ: "Gleich öffnet sich der Erde Schoß" (Raphael) is about 3 minutes long, at 3:27. Based on our data, "Die Schöpfung Hob. XXI:2 / Zweiter Teil: 21. Rezitativ: "Gleich öffnet sich der Erde Schoß" (Raphael)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, James Levine's "Haydn: The Creation H.21" album is number 2 out of 34. Based on our statistics, Die Schöpfung Hob. XXI:2 / Zweiter Teil: 21. Rezitativ: "Gleich öffnet sich der Erde Schoß" (Raphael)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schöpfung Hob. XXI:2 / Zweiter Teil: 21. Rezitativ: "Gleich öffnet sich der Erde Schoß" (Raphael) by Franz Joseph Haydn, Kurt Moll, Berliner Philharmoniker, James Levine to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in G Major (completed by G. Rose): II. Adagio | Johann Nepomuk Hummel, Alexander Trostianski, Russian Philharmonic Orchestra, Gregory Rose | G Major | 1 | 9B | 92 BPM | ||
Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: II. Andante | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans | B Major | 0 | 1B | 179 BPM | ||
Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": IV. Tema con variazione. Andantino | Franz Schubert, Alban Berg Quartett, Elisabeth Leonskaja, Georg Hortnagel | G Major | 2 | 9B | 137 BPM | ||
Symphony No.2 In D, Op.73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 83 BPM | ||
Flute Trio No. 1 in C Major, Hob. IV:1: II. Andante | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal | G Major | 1 | 9B | 131 BPM | ||
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Der Fischer und das Milchmädchen: XI. Allegretto ma non troppo | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Flute Quintet No. 1 in D Major, Op. 17, G. 419: II. Minuetto: Amoroso | Luigi Boccherini, Alexandre Magnin, Janáček Quartet | D Major | 0 | 10B | 87 BPM |