Nikolai Rimsky-Korsakov, Rotterdam Philharmonic Orchestra, David Zinman made "The Tale of Tsar Saltan - Suite: 3. The Flight of the Bumble-Bee" available on January 1, 1982. With The Tale of Tsar Saltan - Suite: 3. The Flight of the Bumble-Bee being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 8 in the song's album "Rimsky-Korsakov: The Tale Of Tsar Saltan Suite; The Golden Cockerel Suite". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. The Tale of Tsar Saltan - Suite: 3. The Flight of the Bumble-Bee is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Tale of Tsar Saltan - Suite: 3. The Flight of the Bumble-Bee by Nikolai Rimsky-Korsakov, Rotterdam Philharmonic Orchestra, David Zinman having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parsifal, WWV 111: Prelude | Richard Wagner, Bayreuth Festival Orchestra, Pierre Boulez | A♭ Major | 1 | 4B | 115 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo (Allegro) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | A Major | 1 | 11B | 138 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Claudio Arrau | G Major | 0 | 9B | 67 BPM | ||
The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" | Nikolai Rimsky-Korsakov, Sofiya Jankovich, Miro Changalovich, Bireska Tzveych, Belgrade National Opera Orchestra, Kreshimir Baranovich | B Minor | 1 | 10A | 81 BPM | ||
Symphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assai | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | A Minor | 2 | 8A | 110 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Gavotte | Sergei Prokofiev, Yuri Temirkanov | D Major | 0 | 10B | 129 BPM | ||
The Snow Maiden / Act 4: "A mi proso, syeyali, syeyali" | Nikolai Rimsky-Korsakov, Dushan Popovich, Stepan Andrashevich, Sofiya Jankovich, Belgrade National Opera Chorus, Belgrade National Opera Orchestra, Kreshimir Baranovich | B Minor | 1 | 10A | 81 BPM | ||
Ravel: Ma mère l'Oye, M. 60: II. Petit Poucet | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | C Minor | 0 | 5A | 124 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | G Major | 2 | 9B | 93 BPM |