Kenny Ken, Drumsound & Bassline Smith made "Everyman - Drumsound & Bassline Smith Remix" available on December 13, 2019. Everyman - Drumsound & Bassline Smith Remix is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. Because this song is the only song in Everyman (Drumsound & Bassline Smith Remix) and no other songs are present in the album, we classify this track as a single. The popularity of Everyman - Drumsound & Bassline Smith Remix is currently below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Everyman - Drumsound & Bassline Smith Remix by Kenny Ken, Drumsound & Bassline Smith is Vivace (lively and fast), since this song has a tempo of 174 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dark Places | DJ Rap | D♭ Major | 10 | 3B | 174 BPM | ||
When You're Alone - LSB Remix | Foreign Concept, LSB | B Minor | 8 | 10A | 87 BPM | ||
Get Down | L-Side | B Major | 7 | 1B | 87 BPM | ||
The Gatekeeper | Fresh | G Major | 10 | 9B | 109 BPM | ||
Girls - DJ Hype & Potential Bad Boys Refix | DJ Hype, Tosh, MC Fats, Potential Bad Boy | A♭ Minor | 9 | 1A | 88 BPM | ||
Blue Cortina | DJ Hazard | B Major | 9 | 1B | 173 BPM | ||
The One - 2018 Remastered | Mampi Swift | D♭ Major | 9 | 3B | 85 BPM | ||
Point Of Contact | Hexa | D Major | 6 | 10B | 87 BPM | ||
Com Mon | Decimal Bass, Konichi | B Major | 10 | 1B | 175 BPM | ||
I Can Never Get Enough | Drumsound & Bassline Smith | D Major | 9 | 10B | 87 BPM |