Marco Stroppa, Arditti Quartet's 'La vita immobile: L'aggiustasogi' came out on September 23, 2016. The duration of La vita immobile: L'aggiustasogi is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. La vita immobile: L'aggiustasogi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arditti Quartet's "Gifts and Greetings" album is number 7 out of 17. La vita immobile: L'aggiustasogi is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La vita immobile: L'aggiustasogi by Marco Stroppa, Arditti Quartet to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin and Cello (1920-22) / II. Très vif | Maurice Ravel, Yegor Dyachkov, Olivier Thouin | A Major | 1 | 11B | 79 BPM | ||
Clarinet Quintet: I. Funny Siciliana | Jan van Landeghem, Eddy Vanoosthuyse, Zemlinsky Quartet | G Minor | 1 | 6A | 182 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: VI. The Chase | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F♯ Minor | 2 | 11A | 107 BPM | ||
Petrushka, K12 (1947 Version): IIIa. The Moor's Room – IIIb. Dance of the Ballerina | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Concerto for 2 Pianos and Orchestra in D Minor, FP. 61: III. Finale | Francis Poulenc, Mari Kodama, Momo Kodama, Orchestre de la Suisse Romande, Kent Nagano | D Major | 2 | 10B | 114 BPM | ||
Clarinet Quintet: I. Moderato | Arthur Bliss, David Campbell, Maggini Quartet | F♯ Minor | 1 | 11A | 79 BPM | ||
Into the Bridge | Isobell Makkar | F Minor | 0 | 4A | 67 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Les points cardinaux: II. | Jean-Jacques Charles, Julien Chabod, Pierre Rémondière, Julien Gernay | A Minor | 1 | 8A | 130 BPM | ||
Hommage à Gy. K.: Prestissimo volatile e intransigente | Marco Stroppa, Ensemble KNM Berlin | G Major | 0 | 9B | 54 BPM |