George Gershwin, Leonard Bernstein, New York Philharmonic made "An American in Paris" available on 1959. An American in Paris appears to be safe for all ages as it is not explicit. The track order of this song in George Gershwin, Leonard Bernstein, New York Philharmonic, André Previn, Andre Kostelanetz & His Orchestra's "Gershwin: Rhapsody in Blue; An American in Paris; Concerto F [Great Performances]" album is number 2 out of 5. On top of that, United States appears to be the country where this track was created. Based on our statistics, An American in Paris's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of An American in Paris by George Gershwin, Leonard Bernstein, New York Philharmonic to be Allegro (fast, quick, and bright) because the track has a tempo of 137 テンポ, a half-time of 68テンポ, and a double-time of 274 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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L'Isle Joyeuse | Claude Debussy, Branford Marsalis, Andrew Litton, English Chamber Orchestra | A♭ Major | 0 | 4B | 135 BPM | ||
Music for the Royal Fireworks, HWV 351: V. La Réjouissance. Allegro | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 5 | 10B | 113 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Andantino, come prima - Meno mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | C Major | 1 | 8B | 95 BPM | ||
Le Carnaval des Animaux: Grand Fantaisie Zoologique: IX. Le Coucou au fond des bois | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | E Major | 0 | 12B | 137 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace | Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic | C Major | 2 | 8B | 90 BPM | ||
Warsaw Concerto | Richard Addinsell, Cristina Ortiz, Royal Philharmonic Orchestra, Moshe Atzmon | B Major | 1 | 1B | 74 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Original Rag | Scott Joplin, Alexander Peskanov | G Major | 2 | 9B | 91 BPM | ||
4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM |