On January 1, 1996, the song "The Gadfly, Op97: 14. Galop" was released by Dmitri Shostakovich, Philadelphia Orchestra, Riccardo Chailly. The duration of The Gadfly, Op97: 14. Galop is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. The Gadfly, Op97: 14. Galop's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Shostakovich: The Dance Album". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. The Gadfly, Op97: 14. Galop is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Gadfly, Op97: 14. Galop by Dmitri Shostakovich, Philadelphia Orchestra, Riccardo Chailly having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glazunov: Elegia, Op. 44 | Alexander Glazunov, Gérard Caussé | E♭ Major | 1 | 5B | 89 BPM | ||
Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Orpheus Chamber Orchestra | F Minor | 0 | 4A | 124 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Chamber Symphony in F Major, Op. 73a (Arr. R. Barshai): I. Allegretto | Rudolf Barshai, Dmitri Shostakovich, Kyiv Virtuosi, Dmitry Yablonsky | C Major | 1 | 8B | 88 BPM | ||
Horn Concerto No. 1 in E Flat Major, Op. 11, TrV. 117: III. Allegro-Rondo (Allegro) | Richard Strauss, Lars-Michael Stransky, Wiener Philharmoniker, André Previn | A♭ Major | 4 | 4B | 103 BPM | ||
The Bartered Bride, JB 1:100: Dance of the Comedians | Bedřich Smetana, Christoph Eschenbach, Wiener Philharmoniker | C Major | 2 | 8B | 75 BPM | ||
El sombrero de tres picos, Pt. 2: IV. Danza final | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | C Major | 4 | 8B | 89 BPM | ||
Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (Quasi andantino) - Presto ma non assai | Johannes Brahms, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 1 | 9B | 89 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26 - III. Finale. Allegro energico | Max Bruch, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | G Major | 1 | 9B | 91 BPM | ||
Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM |