"String Quartet No. 16 in F Major, Op. 135: III. Lento assai, cantante e tranquillo" by Ludwig van Beethoven, Danish String Quartet was released on April 14, 2023. Since String Quartet No. 16 in F Major, Op. 135: III. Lento assai, cantante e tranquillo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Prism V". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. String Quartet No. 16 in F Major, Op. 135: III. Lento assai, cantante e tranquillo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 16 in F Major, Op. 135: III. Lento assai, cantante e tranquillo by Ludwig van Beethoven, Danish String Quartet having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quartet in E-Flat Major, Op. 47: I. Sostenuto assai - Allegro ma non troppo | Robert Schumann, Isabelle Faust, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov | B♭ Major | 3 | 6B | 108 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Mazurka, Op. 17 No. 4 | Frédéric Chopin, James Rhodes | A♭ Major | 1 | 4B | 90 BPM | ||
Erdélyi tánc | Béla Bartók, Angela Chun, Jennifer Chun | B Minor | 0 | 10A | 78 BPM | ||
Nocturne in B Minor, Op. post., Lento con gran espressione (Arr. for Cello and Piano by M. Maisky) | Frédéric Chopin, Camille Thomas, Julien Brocal | B Minor | 1 | 10A | 87 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": II. Theme - | Franz Schubert, vision string quartet | G Minor | 0 | 6A | 131 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM |