"Av Himlens hojd oss kommit ar (Come to us from Highest Heaven)" by Kaspar Othmayr, Johann Sebastian Bach, Michael Praetorius, Georg Forster, Johannes Eccard, Malmo Chamber Choir, Dan-Olof Stenlund was released on November 30, 1993. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 20 in Christmas Music by Various Artists, Dan-Olof Stenlund. The popularity of Av Himlens hojd oss kommit ar (Come to us from Highest Heaven) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Av Himlens hojd oss kommit ar (Come to us from Highest Heaven) by Kaspar Othmayr, Johann Sebastian Bach, Michael Praetorius, Georg Forster, Johannes Eccard, Malmo Chamber Choir, Dan-Olof Stenlund is Vivace (lively and fast), since this song has a tempo of 171 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Come Holy Ghost | Thomas Attwood, Choir of Clare College, Cambridge, Timothy Brown | F Major | 0 | 7B | 132 BPM | ||
Armide, LWV 71, Act II Scene 4: Ah ! Quelle erreur ! (une Naïade, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Anouk Defontenay, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM | ||
St. Francis Evening Prayer (Lucernarium): Blessing and Dismissal | Michael Joncas, The Cathedral Singers | E♭ Major | 1 | 5B | 193 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Missa Quadragesimalis, MH 552: Credo: Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 1 | 11A | 83 BPM | ||
Spotless Rose | Ola Gjeilo, Jennifer Halliday, Lucy Hole, Alexandra Meakem, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 79 BPM | ||
Three Whitman Settings: 3. The Last Invocation | The Singers - Minnesota Choral Artists | G Minor | 1 | 6A | 136 BPM | ||
Missa Popularis: III. Credo | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 1 | 7B | 73 BPM | ||
Soipa kieli | Oskar Merikanto, Lauri Nurkkala, Ilmari Calamnius, Kamarikuoro Sofia Magdalena | F♯ Minor | 1 | 11A | 79 BPM | ||
Missa ex B: XXII. Sanctus - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | F Major | 2 | 7B | 149 BPM |