Wolfgang Amadeus Mozart, Michael Barenboim, Yulia Deyneka, Kian Soltani, Daniel Barenboim's 'Piano Quartet No. 1 in G Minor, K. 478: III. Rondo (Allegro moderato) - Live At Pierre Boulez Saal' came out on August 10, 2018. Since Piano Quartet No. 1 in G Minor, K. 478: III. Rondo (Allegro moderato) - Live At Pierre Boulez Saal is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Michael Barenboim, Yulia Deyneka, Kian Soltani, Daniel Barenboim's "Mozart: Piano Quartets (Live At Pierre Boulez Saal)" album is number 3 out of 6. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Piano Quartet No. 1 in G Minor, K. 478: III. Rondo (Allegro moderato) - Live At Pierre Boulez Saal is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Quartet No. 1 in G Minor, K. 478: III. Rondo (Allegro moderato) - Live At Pierre Boulez Saal by Wolfgang Amadeus Mozart, Michael Barenboim, Yulia Deyneka, Kian Soltani, Daniel Barenboim to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 23 in D Major, K. 306: II. Andantino cantabile | Wolfgang Amadeus Mozart, Takako Nishizaki, Jenő Jandó | G Major | 0 | 9B | 101 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | E♭ Major | 1 | 5B | 66 BPM | ||
Prelude & Fugue in D Major (Well-Tempered Clavier, Book I, No. 5), BWV 850: II. Fugue | Johann Sebastian Bach, Víkingur Ólafsson | D Major | 2 | 10B | 130 BPM | ||
Cello Concerto in B Minor, Op. 104, B. 191: III. Finale. Allegro moderato | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Daniel Barenboim | B Minor | 1 | 10A | 109 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
Bach, JS: Piano Concerto No. 1 in D Minor, BWV 1052: II. Adagio | Johann Sebastian Bach, David Fray, Deutsche Kammerphilharmonie Bremen | G Minor | 2 | 6A | 123 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Concerto for Oboe and Bassoon in G Major, RV 545: I. Andante molto | Antonio Vivaldi, Christopher Hooker, Joanna Graham, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
Piano Concerto No.2 in G Major, Op. 44: I. Allegro billante | Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson | D Major | 2 | 10B | 94 BPM |