"Werther / Act III: "Pourquoi me réveiller" (Adapt. for Cello and Orchestra)" by Jules Massenet, Camille Thomas, Brussels Philharmonic, Mathieu Herzog was released on June 5, 2020. The duration of Werther / Act III: "Pourquoi me réveiller" (Adapt. for Cello and Orchestra) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Werther / Act III: "Pourquoi me réveiller" (Adapt. for Cello and Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Voice Of Hope by Camille Thomas, Brussels Philharmonic, Stéphane Denève, Mathieu Herzog. The song's track number on the album is #12 out of 16 tracks. Werther / Act III: "Pourquoi me réveiller" (Adapt. for Cello and Orchestra) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Werther / Act III: "Pourquoi me réveiller" (Adapt. for Cello and Orchestra) by Jules Massenet, Camille Thomas, Brussels Philharmonic, Mathieu Herzog has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Werther / Act III: "Pourquoi me réveiller" (Adapt. for Cello and Orchestra) being at 87 テンポ, the half-time would be 44 テンポ with a double-time of 174 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: Thaïs: Méditation | Jules Massenet, Andrew von Oeyen, Emmanuel Villaume, Prague Philharmonia | E Minor | 0 | 9A | 97 BPM | ||
Love Theme (From "The Godfather") | Nino Rota, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | C Minor | 2 | 5A | 86 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Don Giovanni, K. 527 / Act I: "Dalla sua pace" (Adapt. for Cello and Orchestra) | Wolfgang Amadeus Mozart, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B♭ Major | 1 | 6B | 89 BPM | ||
Air russe varié for Violoncello and String Quartet, Op. 32: III. Allegro moderato | Auguste Franchomme, Camille Thomas, Wolfgang Emanuel Schmidt, Indira Koch, Friedemann Eichhorn, Alexia Eichhorn | D Minor | 1 | 7A | 100 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Six Songs for Cello and Piano: 4. Wiegenlied, Op. 49 No. 4 (Arr. for cello and piano) | Johannes Brahms, Emmanuelle Bertrand, Pascal Amoyel | F Major | 0 | 7B | 116 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Harmonies des bois, Op. 76: No. 2 Les Larmes de Jacqueline | Jacques Offenbach, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | C Major | 0 | 8B | 65 BPM |