Antoine Reicha, Sarah Francis, Allegri String Quartet's ' "Oboe Quintet in F Major, Op. 107: III. Minuet. Allegro – Trio" was released on its scheduled release date, 1985. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 11 in Crusell, C. Kreutzer & Reicha: Oboe Quintets by Sarah Francis, Bernhard Henrik Crusell, Allegri String Quartet, Rodolphe Kreutzer, Antoine Reicha. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Oboe Quintet in F Major, Op. 107: III. Minuet. Allegro – Trio is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Oboe Quintet in F Major, Op. 107: III. Minuet. Allegro – Trio by Antoine Reicha, Sarah Francis, Allegri String Quartet is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction, Theme and Variations in F Major, Op. 102: I. Introduction: Allegro | Johann Nepomuk Hummel, Diego Dini Ciacci, Orchestra Internazionale D'Italia | F Minor | 0 | 4A | 75 BPM | ||
Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 5, Air. Lento | Antoine Reicha, Ivan Ilic | G Major | 0 | 9B | 101 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
6 Nocturnes, Op. 186: No. 2, Allegretto, ma un poco vivo | Johann Wenzel Kalliwoda, Hiyoli Togawa, Lilit Grigoryan | C Major | 2 | 8B | 96 BPM | ||
Symphony No.5 in B-flat: First Movement | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
Requiem: Dies irae | Antoine Reicha, L'Armonia Terrena, Zdenek Klauda, Emőke Baráth, Markéta Cukrová, Krystian Adam, Tomáš Šelc | C Minor | 3 | 5A | 112 BPM | ||
Armida, Atto Secondo Scena 2: Ballo | Antonio Salieri, Les Talens Lyriques, Christophe Rousset | G Major | 0 | 9B | 65 BPM | ||
Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
L'Art de varier, Op. 57: Variation 2 | Antoine Reicha, Ivan Ilic | F Major | 2 | 7B | 114 BPM | ||
Flute Concerto No. 5 in F Major: IIc. Var. 2, Andante cantabile | Saverio Mercadante, Patrick Gallois, Czech Philharmonic Chamber Orchestra | F Major | 1 | 7B | 83 BPM |