Pyotr Ilyich Tchaikovsky, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra made "Tchaikovsky: Swan Lake, Op. 20, Act I: No. 5, Pas de deux for Two Merry-Makers" available on 1991. Tchaikovsky: Swan Lake, Op. 20, Act I: No. 5, Pas de deux for Two Merry-Makers is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. This song is part of Yehudi Menuhin by Yehudi Menuhin. The song's track number on the album is #8 out of 26 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Tchaikovsky: Swan Lake, Op. 20, Act I: No. 5, Pas de deux for Two Merry-Makers is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Tchaikovsky: Swan Lake, Op. 20, Act I: No. 5, Pas de deux for Two Merry-Makers by Pyotr Ilyich Tchaikovsky, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Tchaikovsky: Swan Lake, Op. 20, Act I: No. 5, Pas de deux for Two Merry-Makers being at 115 テンポ, the half-time would be 58 テンポ with a double-time of 230 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
Prélude à l'après-midi d'un faune, L.86 | Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Minor | 0 | 1A | 90 BPM |