"Cum Dederit (Arr. Voice & Electric Guitar)" by Antonio Vivaldi, Nora Fischer, Marnix Dorrestein was released on January 24, 2021. With this song being about 5 minutes long, at 4:53, "Cum Dederit (Arr. Voice & Electric Guitar)" by Antonio Vivaldi, Nora Fischer, Marnix Dorrestein is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi for the Home by Antonio Vivaldi. The song's track number on the album is #222 out of 225 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Cum Dederit (Arr. Voice & Electric Guitar) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Cum Dederit (Arr. Voice & Electric Guitar) by Antonio Vivaldi, Nora Fischer, Marnix Dorrestein has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Cum Dederit (Arr. Voice & Electric Guitar) being at 114 テンポ, the half-time would be 57 テンポ with a double-time of 228 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nisi Dominus (Psalm 126), RV.608: 4. "Cum dederit" (Andante) | Antonio Vivaldi, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 98 BPM | ||
Paraphrase gnossienne | Ensemble Contraste | C Minor | 1 | 5A | 104 BPM | ||
Polkaism | Laurent Dury | A♭ Major | 2 | 4B | 200 BPM | ||
Caro Diario: Caro Diario | Nicola Piovani | F Major | 0 | 7B | 164 BPM | ||
Whom Shall I Fear? | Vassilis Tsabropoulos, Nektaria Karantzi | D Minor | 1 | 7A | 176 BPM | ||
Arco Iris | Amina Alaoui | D Major | 3 | 10B | 82 BPM | ||
Amours où trop tard je me suis pris | Amina Alaoui | C Major | 2 | 8B | 70 BPM | ||
Cum Dederit | Antonio Vivaldi, Libera, Robert Prizeman | A Major | 2 | 11B | 107 BPM | ||
Encore From Tokyo | Keith Jarrett | E Minor | 2 | 9A | 124 BPM | ||
La mélodie des choses | Las Hermanas Caronni | G Minor | 1 | 6A | 177 BPM |