"Ligeti : Hamburg Concerto : VII Hymnus" by György Ligeti, Reinbert de Leeuw was released on April 1, 2003. With Ligeti : Hamburg Concerto : VII Hymnus being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in György Ligeti, Jonathan Nott, Berliner Philharmoniker's "Ligeti : Project Vol.4 - Hamburg Concerto, Double Concerto, Requiem & Ramifications" album is number 7 out of 14. Ligeti : Hamburg Concerto : VII Hymnus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ligeti : Hamburg Concerto : VII Hymnus by György Ligeti, Reinbert de Leeuw to be Larghetto (rather broadly) because the track has a tempo of 61 テンポ, a half-time of 30テンポ, and a double-time of 122 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Préludes / Book 1, L.117: 1. Danseuses de Delphes | Claude Debussy, Pierre-Laurent Aimard | F Major | 0 | 7B | 92 BPM | ||
Stimmung: Model 1 | Karlheinz Stockhausen, Paul Hillier, Theatre Of Voices | D Minor | 0 | 7A | 66 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Glissandi (1957) - Remastered | György Ligeti, Florian Bogner, Carlos Hidalgo, Germán Toro Pérez, Institute for Computer Music and Sound Technology | D Major | 2 | 10B | 135 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Three Compositions | Milton Babbitt, Robert Taub | D♭ Major | 1 | 3B | 60 BPM | ||
Musica ricercata: No. 6, Allegro molto capriccioso | György Ligeti, Pierre-Laurent Aimard | A Major | 3 | 11B | 100 BPM | ||
Turangalîla Symphonie: 3. Turangalîla I | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D Major | 2 | 10B | 176 BPM | ||
Concerto For Violin And Orchestra: 1. = 104 - = 120 | Philip Glass, Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | D Minor | 1 | 7A | 130 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): I. Slowly, sadly and as if to converse with | Toru Takemitsu, Kotaro Fukuma | B♭ Major | 0 | 6B | 112 BPM |