Emma Luart, Roger Bourdin made "Duo de l'âne "De-ci, de-là… (De l'opérette "Véronique")" available on January 1, 2006. The duration of Duo de l'âne "De-ci, de-là… (De l'opérette "Véronique") is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Duo de l'âne "De-ci, de-là… (De l'opérette "Véronique")'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vive l'opérette ! (Les plus grands succès, d'Offenbach à Francis Lopez) by Various Artists. The song's track number on the album is #11 out of 101 tracks. In terms of popularity, Duo de l'âne "De-ci, de-là… (De l'opérette "Véronique") is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Duo de l'âne "De-ci, de-là… (De l'opérette "Véronique") by Emma Luart, Roger Bourdin has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Duo de l'âne "De-ci, de-là… (De l'opérette "Véronique") being at 95 テンポ, the half-time would be 48 テンポ with a double-time of 190 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hativkah | London Festival Orchestra, The London Festival Chorus, Stanley Black | E Minor | 2 | 9A | 80 BPM | ||
The Merry Widow / Act 1: Finale I: Ladies' choice! | Franz Lehár, Dame Joan Sutherland, Werner Krenn, Valerie Masterson, John Brecknock, Ambrosian Singers, National Philharmonic Orchestra, Richard Bonynge | G Major | 1 | 9B | 79 BPM | ||
Deux mélodies, Op. 46: No. 2, Clair de lune | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM | ||
Véronique: De-ci, de-là, cahin-caha (Duo d'Hélène et Florestan) - 1930 Version | André Messager, Emma Luart, Roger Bourdin, Orchestre Pierre Chanion, Pierre Chanion | B Major | 6 | 1B | 107 BPM | ||
Je chante pour toi que j'aime | Luis Mariano | A Major | 1 | 11B | 127 BPM | ||
Los gavilanes, Acto I: No hay por qué gemir | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | F Major | 2 | 7B | 107 BPM | ||
Offenbach: La vie parisienne, Act 1: Ouverture - Chœur. "Nous sommes employés de la ligne de l'Ouest" - Dialogue. "À quelle heure arrive le train de Trouville ?" (Chœur, Bobinet, Gardefeu, L'Employé) | Jacques Offenbach, Michel Plasson, André Batisse, Choeur Du Capitole De Toulouse, Michel Sénéchal, Michel Trempont, Orchestre Du Capitole De Toulouse | G Major | 3 | 9B | 111 BPM | ||
Sauguet: Les forains: La représentation. Le prestidigitateur et la poupée | Henri Sauguet, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 82 BPM | ||
Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
How pleased we are | Peter Deunov, Monte-Carlo Philharmonic Orchestra | E Major | 4 | 12B | 97 BPM |