Giuseppe Tartini, London Baroque's ' "Sonata à 3 in D Minor, B. d2: II. Largo andante" was released on its scheduled release date, March 26, 2013. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 30 in the song's album "The trio sonata in 18th century italy". In this album, this song's track order is #29. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Sonata à 3 in D Minor, B. d2: II. Largo andante is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sonata à 3 in D Minor, B. d2: II. Largo andante by Giuseppe Tartini, London Baroque having a テンポ of 106 with a half-time of 53 テンポ and a double-time of 212 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mensa sonora / PARS I (In D Major): 1. Sonata. Grave - Allegro | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 139 BPM | ||
Sonata No. 7 in E Minor "La magnifique": IV. Sarabande | Louis-Nicolas Clérambault, Barthold Kuijken, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 103 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 57 BPM | ||
Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7: Ciaccona | Giovanni Battista Vitali, London Baroque | E Major | 1 | 12B | 101 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Trio Sonata in G Major, Op. 3 No. 1, WK 80 (Arr. for 2 Violins & Basso continuo): II. Adagio ma non troppo | Carl Friedrich Abel, London Baroque | F♯ Major | 2 | 2B | 97 BPM | ||
Sonata No. 4 in E Minor: II. Fuga Allegro | Johann Friedrich Meister, Musica Antiqua Köln | E♭ Minor | 4 | 2A | 103 BPM | ||
Suite in A Major: IV. Correnta | Johann Vierdanck, London Baroque | D♭ Minor | 1 | 12A | 81 BPM | ||
Trio Sonata in D Minor, Op. 1 No. 12, RV 63 "Follia" | Antonio Vivaldi, London Baroque | D♭ Minor | 2 | 12A | 138 BPM | ||
Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": II. Largo Andante | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 71 BPM |