"Puts: The Hours, Act 1: "You Know What We’re Going to Do?" (Laura, Virginia, Richie, Clarissa) [Live]" by Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Renée Fleming, Metropolitan Opera Orchestra had its release date on April 26, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 26 in the song's album "Puts: The Hours (Live)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Puts: The Hours, Act 1: "You Know What We’re Going to Do?" (Laura, Virginia, Richie, Clarissa) [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puts: The Hours, Act 1: "You Know What We’re Going to Do?" (Laura, Virginia, Richie, Clarissa) [Live] by Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Renée Fleming, Metropolitan Opera Orchestra having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O dessa ögon | Anders Hillborg, Hannah Holgersson, Royal Stockholm Philharmonic Orchestra, Sakari Oramo | G Major | 0 | 9B | 85 BPM | ||
Puts: The Hours, Act 1: "Platters! - What’s That, Babe?" (Clarissa, Sally, Chorus) [Live] | Kevin Puts, Yannick Nézet-Séguin, Denyce Graves, Metropolitan Opera Chorus, Renée Fleming, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Younger Than Spring | Winfred Jeremiah | D♭ Major | 1 | 3B | 85 BPM | ||
Te Deum, WAB 45: II. Te ergo quaesumus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Jesu, Maria - I am near to death | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | E Minor | 1 | 9A | 80 BPM | ||
Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | ||
Massenet: Don Quichotte, Act 2: Interlude | Jules Massenet, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Des Knaben Wunderhorn: Revelge | Gustav Mahler, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Minor | 3 | 4A | 113 BPM | ||
Shir | Paolo Spoladore | E Major | 2 | 12B | 129 BPM | ||
Rêverie | Fernand de la Tombelle, Munich Radio Orchestra, Herve Niquet | E Major | 1 | 12B | 99 BPM |