Louise Farrenc, Maria Stratigou made "30 Piano études, Op. 26: No. 14 in B Major, Vivace" available on October 14, 2022. The duration of 30 Piano études, Op. 26: No. 14 in B Major, Vivace is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. 30 Piano études, Op. 26: No. 14 in B Major, Vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 87 in Farrenc: Complete Piano Works, Vol. 1 - Études by Louise Farrenc, Maria Stratigou. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, 30 Piano études, Op. 26: No. 14 in B Major, Vivace is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 30 Piano études, Op. 26: No. 14 in B Major, Vivace by Louise Farrenc, Maria Stratigou is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quintet No. 2 in E Major, Op. 31: III. Vivace | Louise Farrenc, Quintetto Bottesini | D♭ Minor | 2 | 12A | 141 BPM | ||
Sinfonia in F major, F. 67: IV. Menuetto I-II | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | F Major | 0 | 7B | 122 BPM | ||
Clarinet Trio in E-Flat Major, Op. 44: IV. Finale: Allegro | Louise Farrenc, Linos Ensemble | E♭ Major | 2 | 5B | 132 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 3. Allegro | Antonio Vivaldi, Tom Finucane, New London Consort, Philip Pickett | D♭ Major | 1 | 3B | 117 BPM | ||
Mazurka No.36 In A Minor Op.59 No.1 | Frédéric Chopin, Vladimir Ashkenazy | A Major | 0 | 11B | 63 BPM | ||
6 Morceaux, Op. 19: No. 4. Nocturne in C-Sharp Minor | Pyotr Ilyich Tchaikovsky, Ilona Prunyi | D♭ Minor | 0 | 12A | 72 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Viola Concerto in C Minor: II. Adagio molto espressivo | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | A♭ Major | 2 | 4B | 133 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Nocturne No.18 In E, Op.62 No.2 | Frédéric Chopin, Maurizio Pollini | D♭ Minor | 0 | 12A | 73 BPM |