George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner made "Concerto grosso No. 6 in G Minor, Op. 6/6, HWV 324: II. A tempo giusto" available on March 22, 2024. With Concerto grosso No. 6 in G Minor, Op. 6/6, HWV 324: II. A tempo giusto being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner's "Handel: Concerti Grossi, Op. 6 Nos. 12, 1, 4 & 6" album is number 14 out of 17. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Concerto grosso No. 6 in G Minor, Op. 6/6, HWV 324: II. A tempo giusto is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Concerto grosso No. 6 in G Minor, Op. 6/6, HWV 324: II. A tempo giusto by George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner to be Vivace (lively and fast) because the track has a tempo of 169 テンポ, a half-time of 84テンポ, and a double-time of 338 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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6 Concerts transcrits en sextuor / 3e Concert: 1. La Poplinière | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: II. Allegretto - Corrente | Alessandro Stradella, Reinhold Friedrich, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 79 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Concerto a due cori No. 1, HWV 332: I. Overture | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 4 | 6B | 122 BPM | ||
Overture for Flute and Bassoon in G Major: IV. Menuet | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 0 | 2B | 120 BPM | ||
Orchestral Suite No. 1 in C Major, BWV 1066: 4. Forlane | Johann Sebastian Bach, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 3 | 7A | 187 BPM | ||
Galuppi: Flute Concerto in D Major: II. Adagio | Baldassare Galuppi, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | G Major | 2 | 9B | 99 BPM | ||
Leclair: Violin Concerto in D Minor, Op. 7 No. 1: II. Aria | Jean-Marie Leclair, Jean-François Paillard, Gerard Jarry, Orchestre de chambre Jean-François Paillard | F♯ Minor | 1 | 11A | 94 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 1, Le charme | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Sinfonia di concerto grosso No. 1 in F Major: Allegro - Adagio - Allegro - Adagio - Allegro | Alessandro Scarlatti | F Major | 2 | 7B | 124 BPM |