"Beau Soir - Voice" by Claude Debussy, Barbra Streisand, Claus Ogerman was released on 1976. The duration of Beau Soir - Voice is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Beau Soir - Voice's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 12 in Classical Barbra (Re-Mastered) by Barbra Streisand. Beau Soir - Voice is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beau Soir - Voice by Claude Debussy, Barbra Streisand, Claus Ogerman is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Memory | Barbra Streisand | B♭ Major | 2 | 6B | 76 BPM | ||
Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano) | Edward Elgar, Edgar Moreau, Pierre-Yves Hodique | D Major | 1 | 10B | 83 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | D Major | 1 | 10B | 72 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Rutter: Requiem: Pie Jesu | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, Edward Saklatvala, City of London Sinfonia | F Major | 0 | 7B | 77 BPM | ||
C'est ma chanson | Petula Clark | F Major | 6 | 7B | 100 BPM | ||
Dream Of Olwen | London Festival Symphony Orchestra | G Major | 1 | 9B | 135 BPM |